I work in various mediums (photography, video, sound and kinetic sculpture) to create installations that reinterpret a moment into a new visual/geographic time and space. To further emphasize this, I sometimes include my ghost-like appearance, which places me in the roll of both subject and spectator. This accentuates the ephemeral nature of the image itself and the sense of my own changing, awareness and uprootedness.

My work centers on the idea of fragmentation that blurs the edges of place.  Visually, I explore how we cut, edit and reinterpret our environments to fit a version of who we are.  The work is intoxicated with memory, sentiment, and feelings of displacement.  It speaks about the ambiguity of place; the fragility and duplicity of the world; the mutability of time; the sense of shifting identify; the uncertainty of self.

Thus, the final work becomes echoes of a place that no longer belongs to the 'whole,' but at the same time is very much part of it. What this bears resemblance to is a kind of postmodern 'masala' (to use the Indian term for the blending of various spices), one generated not by a theoretical position but by the vagaries of my own life.